Sunday, 23 August 2026

Lee Joon Gi: Netflix's Dochabi - The Art-History Fever Dream

 


LEE JOON GI

 

NETFLIX’S

DOCHABI

 

THE ART-HISTORY

 FEVER

DREAM





 

 

 



 


Ever since Netflix dropped the synopsis for Dochabi - the upcoming 2027 original from director Ahn Tae Jin, writer Hwang Sung Goo, and Onda Works - fan speculation has been off the charts. Naturally, Lee Joon Gi’s role as Yi Do Gwan is already driving everyone wild.

 

 



 


Theories are flying at Mach speed. Imagination is running wild. Secret villain? Tragic backstory? Spicy love triangle? Nobody knows, but everybody has a thesis.

 

Yi Do Gwan. Some fans are picturing him in high-octane sword fights or brooding in cinematic slow-mo. But, why let him just exist when you can trap him in an art movement? Make him descend straight into art-history fever dream territory.

 



THE SERENE PHASE

 

Picture this: Yi Do Gwan, serene as a Joseon-era scholar, strolling through the scenic Cheongpung Valley. No, not screaming commands.

 


 




Or in a Joseon Landscape Painting.














Or Yi Do Gwan in a Korean Ink Wash Painting.












Or chilling in a misty Chinese ink-wash landscape (Dwelling in the Fuchun Mountains), contemplating existence while a single dramatic leaf drifts by.






 




Or even casually aesthetic-maxxing in a Japanese Haboku-Sansui masterpiece.

 









Gorgeous, right? Too peaceful. Enter the fan nightmares.

 

 



THE MODERNIST NIGHTMARES


 

Imagine poor Yi Do Gwan trapped in a Pointillist painting, literally reduced to an existential crisis made of dots.

 

 






Or worse, a Cubist nightmare where his nose is in his mouth and his left eye is having a deep conversation with his right kneecap. Thankfully, it didn’t turn out to be that way.

 




 




Then comes the Jackson Pollock treatment: splattered into existence, wondering what cosmic mistake got him here.

 

 









Or Edvard Munch’s The Scream, permanently frozen in panic under a sky that looks like melted crayons.

 

 







Even Van Gogh’s Starry Night isn’t safe - sure, the swirls are pretty, until the stars start aggressively staring you down.

 

 








  

And don't even get us started on Salvador Dalí. Imagine Yi Do Gwan's black obsidian mirror melting, his bow and arrow turning to soup, and his own shadow flirting with a surrealist Jurchen mask or sword.

 

 




 



THE TIME-TRAVELING CHAOS

 

 

But wait, he’s not just trapped in art styles; he’s time-traveling, too.

 

 

Ancient Egypt: Chilling with ancient Egyptian waterfowl in The Meidum Geese (yes, real painting; yes, iconic).







 

 


The Renaissance: Yi Do Gwan is utterly scandalized by the lady’s lack of proper clothing in Botticelli’s The Birth of Venus.

 

 







19th Century Mexico: Yi Do Gwan is stoically posing in José María Velasco’s The Valley of Mexico, trying his absolute best to stay majestic.

 

 







Baroque Drama: Thrown into a dramatic Chiaroscuro piece where half his face is lit like a hero and the other half is actively plotting his downfall.

 

 









The Dochabi hype isn't just real, it’s gloriously different in the fantasy world of the fans. Global fans aren't just excited; they’ve got goosebumps on their goosebumps. Dochabi is slated to be aired in 2027.