LEE JOON GI: The Hottest, Handsomest & Most Talented Global Actor, Action Star, Singer and Model

Tuesday, 24 February 2026

Splendor, Lee Joon Gi's Official Japan Fan Club, Invites Fans To Ask Lee Joon Gi Questions For Lee Joon Gi's Official Magazine 2026

SPLENDOR

LEE JOON GI'S

OFFICIAL

JAPAN FAN CLUB

INVITES

FANS

TO ASK

LEE JOON GI

QUESTIONS

FOR

LEE JOON GI'S

OFFICIAL MAGAZINE

2026

https://leejoongi.jp/

https://leejoongi.jp/information/?id=1494

Sunday, 22 February 2026

Lee Joon Gi in Peak Athletic Condition - A Masterclass in Dedication and Discipline - for Upcoming Film, Kidnapping Game

LEE JOON GI

PEAK

ATHLETIC CONDITION

MASTERCLASS

DEDICATION

AND

DISCIPLINE

FOR

UPCOMING
FILM

KIDNAPPING GAME

There has been radio silence about Lee Joon Gi’s mysterious Taiwan-Japan co-production – not a whisper, not a teaser, not even a tiny spoiler. The entire project has been wrapped in secrecy, which likely means it has slipped into post-production mode. After wrapping up filming, Lee seemed to go into full hibernation mode until his Instagram suddenly lit up with behind-the-scenes photos and clips from Taiwan and Nagoya, Japan.

Adding fuel to the excitement, someone even shared a video of Lee Joon Gi alongside the director.

The intriguing film, tentatively called ‘Kidnapping Game’ is probably a collaboration between Taiwanese and Japanese production teams, and fans are wildly curious about who’s sitting in the director’s chair. While nothing has been officially confirmed, whispers suggest it could be acclaimed Taiwanese director, Lin Yu Hsien, known for his dynamic ‘Jump’ trilogy, projects inspired by his brother, a gymnastic coach. Lin is celebrated for his fast-paced story-telling and his ability to weave in sharp emotionally resonant social commentary. If he’s truly helming this film, we’re in for something special.

PHOTO COMPARISONS

Picture top 2^nd from left: posted by LJG

Pictures 1^st and 2^nd from left: posted by a fan

2^nd picture from left: posted by LJG

Picture from left: posted by a fan

https://www.facebook.com/AhMeowLin

https://www.tiktok.com/@fansactor_jg/video/7586154727512034580

The movie is adapted from the novel of Keigo Higashino, a master of twisty thrillers. The story follows Sakuma, a smug and successful advertisement planner, who masterminds the kidnapping of his client’s estranged daughter, Juri - driven by revenge and greed.

But what began as a calculated scheme spirals into a tense psychological chess match packed with shocking twists. Sounds deliciously dramatic, doesn’t it?

Global heartthrob Lee Joon Gi is expected to take on the role of Sakuma, while Carrie Wong, Singapore’s shining star, will probably portray Juri. With visuals that stunning, fans are already anticipating sizzling chemistry and an emotionally-charged dynamic that would set screens ablaze.

And let’s talk about Lee Joon Gi for a second. The man is in peak athletic form and he knows it. His recent uploads showcased heart-stopping shots of his sculpted physique – bulging biceps, powerful legs, and those impossibly defined quads and calves. It’s practically a masterclass in dedication and discipline.

https://www.instagram.com/actor_jg/reel/DU4v5bTD0O4/?hl=en

Naturally, fans are convinced this role involves intense action sequences, explosive stunts and some thrilling fight scenes. No one is complaining.

This multinational project boasts a powerhouse cast. Alongside Lee Joon Gi (South Korea) and Carrie Wong (Singapore), the film also stars Alice Ko from Taiwan and Kentaro Sakaguchi from Japan. Talk about an international dream team.

According to ETtoday, filming was originally scheduled to begin in October, with costumes finalised for an autumn setting. However, filming was delayed into the icy winter months. Interestingly, the production team decided not to alter the wardrobe – meaning the film will visually retain that autumn aesthetic despite being shot in the biting cold.

And autumn? It’s a season dripping with symbolism – golden leaves, fading warmth, a sense of beautiful melancholy. It represents transitions, endings and emotional undercurrents. But then, here’s the tantalizing question: will the story unfold in poetic autumn tones, or will we see the stark, snow-covered chill of winter? After all, filming in South Korea and Nagoya took place in brutally cold winter conditions.

As for the premiere date? That remains the biggest mystery of all. Post-production for major Eastern film projects typically last anywhere from six months to over a year. Which means ... yes, the wait could be long. But if the secrecy, star power and source material are anything to go by, it will be worth every second.

Friday, 20 February 2026

Eyes On Me: The New 2026 Lee Joon Gi Splendor Family Day Poster - A Rich Visual Statement

EYES ON ME

THE

NEW

2026 LEE JOON GI

SPLENDOR

FAMILY DAY

POSTER

RICH
VISUAL STATEMENT

The stunning new EYES ON ME 2026 Lee Joon Gi Splendor Family Day poster, drenched in red, presents a refined and conceptionally rich visual statement, combining strong colour theory, cultural symbolism, and poised artistry.

The design centres on 4 key colours: red, black, white and green. Red dominates the background, transitioning into deeper red tones that increase in intensity and depth. The trio of red, black and white, known to be Lee Joon Gi’s preferred colours, establishes a personal and cohesive aesthetic.

The subtle gradation of red is particularly striking: white tints soften the outer edges into gentle pink hues while the infusion of black at the centre produces a rich maroon shade, adding dimension and visual sophistication. Red, which symbolizes happiness, celebration, life, good fortune, passion, love, joy, good luck, prosperity, energy and protection, is considered the luckiest and most auspicious colour in China and other Asian cultures. Black symbolises elegance, power, authority, mystery, and sophistication in design while white represents purity, peace, light, positivity and new beginnings. Green is associated with growth, renewal, freshness, health, tranquility, harmony, ambition and money.

The powerful phrase ‘EYES ON ME’ serves as the thematic anchor of the poster. The words ‘Eyes On’ appear in white, conveying clarity and prominence, while ‘Me’ is rendered in green, creating a deliberate contrast against the red background. As complementary colours, red and green heighten visual impact and reinforce the central message. The message is confident and demands attention. All eyes are exactly where they should be.

The poster's composition and typography underscore a year in which Lee Joon Gi will undoubtedly be under public attention.

Visually, Lee Joon Gi is positioned with composure and precision. Seated behind a black table, dressed in a tailored black suit jacket, he presents an image of elegance and controlled intensity. His head is titled slightly to the right, and his direct gaze establishes a powerful connection with the viewer. That commanding power gaze? Devastating!

The dark maroon gloves and the fork and knife he holds introduce a carefully curated symbolic layer.

And, what’s on the menu? Before him are cut-open juicy ruby-red promegranates. Now, tell me who eats promegranates with a fork and knife? Exactly. It’s playful. It’s cheeky. It’s an art.

Promegranates are rich in historical and cultural meaning. Across ancient civilizations, including Greece, Persia, China and Japan, the promegranate has symbolized prosperity, abundance, fertility, regeneration, good fortune and the cycle of life. The fruit carried stories of love, passion, eternity and wealth.

In Korean cultural symbolism, the fruit is associated with happiness, prosperity and a blessed future. In traditional Korean folk art (Minhwa), ripe promegrates often represent joy and auspicious blessings. The fruit’s ruby-like seeds are emblems of life’s richness and continuity.

The use of three overlapping circles in the composition evokes the form of a Venn diagram, suggesting relationships and interconnectedness. The circle itself is a universal symbol of unity, infinity, wholeness and protection. This motif may be interpreted as representing the intersection between artist, audience and the broader public sphere – an elegant reflection of the theme, ‘Eyes on Me’.

Compared to the earlier version (also visually powerful) with its predominantly black background, this design feels more assertive and vivid.

The new poster positions Lee Joon Gi not only as a performer under intense spotlight and public scrutiny but as a composed and important celebrity figure at the centre of local and global attention in 2026.

Indeed 2026 is anticipated to be a significant year for Lee Joon Gi with an upcoming film project, potential television work, and a series of fan engagements, including the 10 April 2026 Yokohama fan meet-concert held in conjunction with his 44^th birthday celebration on 17 April 2026. Public and media focus would be substantial. The title ‘Eyes on Me’ aptly reflects this heightened visibility and the expectations surrounding his artistic and career endeavours.